Borrowing Nature
THE VANISHING BOUNDARIES OF SPACE
The Concept of "Grey Space" in Western modern architecture serves as a transitional zone between interior and exterior, a spatial buffer that allows light, air, and movement to flow. Rooted in classical elements such as colonnades, arcades, and atriums, it enhances the fluidity and adaptability of a space while responding to environmental factors like climate and illumination.
Coincidentally, traditional Chinese architecture embodies a similar philosophy. Yet, unlike Western architecture, which emphasizes functional spatial transitions, Chinese architecture is more attuned to the concept of emptiness- dissolving the physical presence of buildings into nature, crafting spaces that resonate with a poetic sensibility.
Here, space does not merely connect; it permeates. Through Borrowed Scenery, Framed Views, and Filtered Glimpses, architecture ceases to be an enclosed entity and instead breathes with its surroundings.
The Interplay of Solid and Void
Space is neither fully enclosed nor entirely open. Latticed windows, perforated screens, and translucent partitions define boundaries that do not confine.
Light and shadow shift across surfaces, crafting a quiet atmosphere where presence is felt through absence—a mere step away, yet vast as a distant horizon.
A Landscape in Motion
Unlike Western architecture's fixed axial perspective, Chinese architecture unfolds in movement.
Layered thresholds, interwoven frames, and orchestrated vantage points create a scene that transforms with each step-much like the scattered perspective of traditional landscape painting, where space is not static but forever shifting.
Harmony Between Man and Nature
Architecture is not an assertion of dominance over nature but a continuation of it. A single tree beyond the window, the undulating silhouette of distant mountains, the shimmer of light on water-each element becomes part of the spatial narrative, evolving with the seasons, dissolving the boundary between built form and natural order.
CREDITS
Photo 1
rednote: @不如高卧且加餐。
Photo 2, 3
Grey House by Adam Kane Architects, Australia
Photo 4
Toorak Residence I by Studio Tate
Photo 5
The Huishe - Qiankun Home Brand Furniture Experience Store I by LICO Design
Photo 6
rednote: @不如高卧且加餐。
Photo 7
rednote: @烟雨江南
Photo 8
rednote: @欧阳的白日梦📷
Photo 9
rednote: @不命题君
Photo 10
rednote: @陶淘美学Lab
Photo 11
rednote: @薛巍
CONTENT CREATIVE: EST8 MAG